Speedy Cartooning

It’s time to GET IN TOON! with speedy cartooning. The artwork below I do for fun. They are quick warmup drawings I do to get my day started or drawings I make to clear my head.

All the illustrations are completed with a sharpie or a prismacolor chisel tip multiliner. I draw quickly. If I spend five minutes on one then I’ve spent too much time on it. I draw in marker to be confident in my lines and draw fast trying to quickly capture the motion and emotion of the character/scene. The artwork below are all gone but I do sell these at shows for $5 a piece. If you ever see me at a convention, it’s the perfect time to get one and if you don’t see one you like, I’ll draw a speedy cartoon for you on the spot!

Hope you enjoyed these speedy cartoons and remember…there is always time to GET IN TOON!


Friends are there…

Popping from the funny pages, Garfield and Friends hit the Saturday morning airwaves on September 17, 1988. This successful show lasted eight years. The format of the show was in three parts. First was a Garfield short, then a U.S. Acres short, and ending with a final Garfield short.

Garfield has been done in animation so much that I’m going to focus on U.S. Acres. Garfield’s creator Jim Davis launched U.S. Acres as a newspaper comic strip on March 3, 1986 and ran until 1989. Garfield and Friends was my first introduction to the U.S. Acres and my only way to have them in my life since my local newspaper didn’t run it.

The show was set on a farm and featured Orson Pig, the leader. Roy Rooster, a greedy loud mouth that bothers the group. Wade Duck, is cowardly with a such a fear of water that he wears an inner tube around his waist at all times. Booker, an extremely confident chick that never catches worms no matter how much he chases them. Sheldon, is Booker’s unpatched brother. He is the intelligent and philosophical one of the group. Bo Sheep, was a bit different from his comic version. In the comic he was wasn’t very bright but perky. In the cartoon he was depicted as a surfer dude. Still a bit dim but always calm, cool, and collected. Lanolin Sheep, is the opposite of her brother Bo,l.

Much like most Saturday morning cartoons of the 1980’s the plots were simple. A short adventure with a lesson in the end. The humor was fun and what was expected from a Jim Davis cartoon.

The classic Jim Davis style is seen throughout the cartoon. Characters were simple and clean in design. The backgrounds were simple and normally brightly colored staying true to Jim Davis’ style. Check out the pictures below.

Gregg Berger voided Orson as well as Odie in the Garfield segment. Funny story. Gregg also voices Grimlock in the Transformers cartoons and I was supposed to be on a panel with him in November 2018 discussing the Transformers. Unfortunately, I got sick and had to cancel my appearance. I hope I get another chance to meet him as I’m a fan of his Garfield and Transformers characters. Roy was voided by Thom Huge who als voice Jon Arbuckle in the Garfield segments. Wade was voiced by Howard Morris who was the original Gopher in the first Winne the Pooh movie. In the Garfield segments Julie Payne Dr. Liz Wilson an voiced Lanolin in the U.S. Acres shorts. The multitalented Frank Welker voiced the rest. Frank Welker is best know as Fred Jones on Scooby Doo as well as Scooby since Don Messick passed. If you look up Frank on IMDB you’ll find that he has 834 acting rolls and still counting. I did some research and I couldn’t find anyone with more acting credits. I’m not sure if there is a cartoon Frank Welker isn’t part of.

U.S. Acres was a fun 6-8 minute short that I enjoyed each week. I look back at the enjoyment this cartoon brought me. Although I watch all types of cartoons, I’ve always leaned towards cartoons with animal characters. Maybe it’s because I grew up on Mickey Mouse, the Looney Tunes, Tom & Jerry, Woody Woodpecker, and Yogi Bear. Maybe it’s the clean and simple style or because I just enjoying drawing animals. Whatever the reason, U.S. Acres is a fun cartoon. Garfield and Friends is currently available on DVD and on the Boomerang app. You can also find some shorts on YouTube.

I now leave you with a short I found on YouTube. and I’ll be back next week. Until then, remember…there is always time to GET IN TOON!

Smurfy-day Mornings of the 1980s

La La-La La La La-La La La La La

That was a tune I heard every Saturday morning throughout the 1980s. It was the tune sung by those forest dwelling creatures, the Smurfs.

I was a big Smurf fan when I was a kid and I still am. You can see by these photos. The first is the shelf above my drawing table. The second is of my comic collection. I love them so much they aren’t put away in boxes and proudly displayed on my bookshelf. They are currently being published by Papercutz and I highly recommend visiting your local comic shop and picking them up. The last picture is of my closet door where a Papa Smurf poster hang.

Although the Smurfs hit the Saturday morning airwaves in September 1981, they got their start 23 years earlier. The Smurfs first appeared as a Franco-Belgian comic in 1958 created by Pierre Culliford popularly known by his pen name, Peyo.

At the time Peyo was working on a comic called Johan and Peewit as they are called in America. Peyo was telling their adventures since 1947. Johan and Peewit was a fantasy sword and sorcery story set in the Middle Ages. In one adventure, a magic flute was causing havoc within the kingdom. Johan and Peewit got help from the Smurfs to deal with the flute. The Smurfs were so popular that by 1959 they appeared in their first solo adventure.

Before airing on Saturday mornings and being produced by Hanna-Barbera, the Smurfs made their first animated appearance in the European movie “The Smurfs and the Magic Flute”. It was based on their introduction comic and directed by their creator. I’m sure I’ll discuss this movie in the future so I won’t say much about it now. All I’ll say is that it was made in 1976 and if you are a Smurf fan it is worth the watch.

Now that you know a slight history, it’s time to GET IN TOON! with classic animated series with a nine year run, The Smurfs.

Premiering September 12, 1981 the series focused on the Smurfs. They were blue skinned and measured three apples high (about 3 inches). All the smurfs, but a few, wore white pants and a white hat. Papa Smurf wore red and had a white beard. He was the only smurf with facial hair besides Grandpa who appeared years later in the series. It’s almost impossible to tell Smurfs apart as they all look alike. The way to tell them apart was by their names which were based on their traits. For example there was Jokey who liked to give others exploding presents and laugh. Lazy preferred to sleep. Handy built things and Hefty was the strong one. Brainy was a bookworm and Vanity loved looking at himself in the mirror. They all lived in the Smurf Village in mushroom houses.

Very few humans knew of their existence. Johan and Peewit knew them of course. As did Homnibus, Mother Nature and the evil wizard Gargamel. The show primarily featured Gargamel and his cat Azreal trying to capture the smurfs. Gargamel wants the greatest wizard nor did he have any good luck. His home was a hovel. Made of stone with a straw roof, Gargamel was always up to no good but the Smurfs always foiled his plans. Sometimes when I go back and watch the show I actually feel bad for Gargamel. I don’t root for him to win and catch the Smurfs to turn them into gold (come on he is the bad guy) but I feel bad because of how he was written. It obvious Gargamel had a rough life. He’s bullied by every other wizard and ogre the like. His financial situation was bleak and when he’d lose, Gargamel would whine. Even though he was the villain all Gargamel was trying to do was improve his life. To me that’s great writing. Here in a simple kids cartoon we’re given a character who seems simple on the surface but is a very layered character. That’s some good storytelling. There was even a couple of times Gargamel showed he had a heart like in the 1982 TV movie, The Smurfs Christmas Special. It’s because he shows his heart I feel for Gargamel. It shows there is good in him, even if it’s buried incredibly deep within him. Without that Gargamel is a stereotypical bad guy that just does bad things for the sake of being bad. Honestly, Gargamel having a heart is rare. Beside the Christmas special, there is only other one time I remember. I don’t remember when it exactly was or what the episode was about. It was sometime between season 6 and 8 when Gargamel had a young apprentice named Scruple. All I remember was a kindness Gargamel showed to Scruple. It was only for a moment but it was there. At least, that’s how I remember it.

I love animation so much and there is something in almost every cartoon that will make me say, this is my favorite because…, but Hanna-Barbera is my all time favorite company. The art of the Smurfs is a thing of beauty. Taking Peyo’s style and adding the Hanna-Barbera flair made a lasting influence on my art. My style is very much Hanna-Barbera meets Peyo as you can see from artwork below.

Now let’s take a look at some of the art from the Smurfs. You can see how the art influences what I do.

The Smurfs animated series was targeted to children and the stories were very easy to follow. Episodes worked in two different ways. One week we’d see a full half hour episode while other weeks there would be two shorter stories within the thirty minute time slot. The stories were adapted from Peyo’s original comics. One of my favorite episodes was called “The Smurf’s Apprentice” where a Clumsy Smurf wanted to be Papa’ apprentice and was upset when Papa told him Brainy is more than enough of an apprentice. The next day Clumsy finds himself at Gargamel’s and steals a page from One of the evil wizard’s spellbook turning himself into a scaly lizard creature. With the help of Papa and his friends they return to Gargamel’s hovel to find the antidote.

The original Smurfs animated series lasted nine years and has made a lasting impression on children of the 80’s. In recent years the Smufs made a come back in CG animated films which I’m sure I’ll discuss in a future blog. Between comics, television, and movies the Smurfs have been around for 70+ years which demonstrates staying power. You can find some of the Smurfs series on DVD. I own a few of the DVDs, however I have been unable to find the completed series on DVD. I’m not sure but I don’t think the completed series is available in the United States. I highly recommend this series to kids of all ages.

Tip Tuesday

It’s time to GET IN TOON! with Tip Tuesday.

Today’s tips are about supplies. Artists use a variety of supplies and I’ll be showing you photos of what I use.

This is my digital setup. I have an 27″ iMac with my cintiq 27QHD with ergonomic stand. There is also my Canon scanner/printer. I don’t use that as much as I used to these days. When drawing on the computer I primarily work in Adobe Photoshop.

Above is my iPad Pro and Apple Pencil. This is my on the go digital studio. On the iPad I love to work in Clip Studio Paint but I also use Procreate and Comic Draw.

Moving on to my traditional setup you can see my drawing board. It’s a tabletop drawing board so I can take it down to work on other types of art. The markets in the back are a combination of Copics and Touch markers. The art supplies next to my drawing board change depending what I’m doing.

This is my light box. I’m a very sketchy artist when I’m roughing out my work and my light box comes in handy when I’m doing my cleanup drawings.

Now what do I carry with me?

A clipboard and a pencil case.

This is my clipboard. It holds standard 8.5″x11″ copy paper which is my preference to sketch on when I’m just playing with ideas.

My clipboard is a storage clipboard and here is what I keep inside.

Now on to my pencil case.

I love this pencil case. It was given to me as a gift and has been my go to case now for the last couple of years. Take a look inside. You can see how much it holds.

One side I use for just my inking pens and the other is mostly for my pencils but I do keep a few inking pens in there too.

Now on to the today’s tip.

Don’t worry about the supplies when you’re starting out. Artists have spent year learning how to properly use these supplies. They experiment with paper, pens, inks, etc. but they all started with simple tools.

Start with copy paper. It’s cheap. A regular number 2 pencil is an HB pencil. It’s a middle of the road pencil and great for practicing simple shading. A pencil sharpener and eraser are needed too. I prefer a kneaded eraser as it doesn’t leave crumbs and is fun to play with. When you’re ready to start perspective, you will need a ruler. As for inking, I always say start cheap. Felt tip markers are the way to go. There is a very good chance felt tip markers will bleed on copy paper but with practice you can control that. Next up, the drawing surface. I love my clipboard as I can draw on my lap or I can put it on a table. When it’s on a table I like to put something under it to raise the board a bit and create an angle like my drawing board. Also, don’t worry if you don’t have a light box. A window on a nice sunny day works just as good.

Those are my tips for today. Join me next Tuesday when I’ll be back with another tip.

Until then, remember, there is always time to GET IN TOON!

Lords of Light!

Let us travel back in time to the days of my youth when cartoons ruled Saturday mornings. I remember getting up early, making myself a bowl of Cap’n Crunch with crushed up Oreos (don’t knock it until you try it), grabbing my drawing supplies and planting myself in front of the television for hours. It was in 1976 when I was born but my earliest cartoon memories started in the 80’s. I can honestly say that my first cartoon memory is of Ricochet Rabbit. It was obviously a rerun and to this day still one of my favorite characters.

The cartoons of 1980s was the heyday of cartoons, at least that’s the opinion of most people my age. Sure, the cartoons were meant to sell toys but what options we had! Transformers, G.I. Joe, Super Friends, Thundercats, He-Man, Saturday Supercade, The Smurfs, and so much more. We had cartoons based on our favorite movies like The Real Ghostbusters or our favorite video games like Captain N the Game Master or Super Mario Bros. It was amazing and I absorbed these cartoons nonstop as I laid on the floor drawing. I taught myself how to draw by recording the cartoons, pausing a frame, and drawing what I saw. My collection of recorded cartoons on VHS tapes was only rivaled by my future comic book collection.

In a previous blog most I mentioned how I loved the Dungeons & Dragons cartoon. It may be my all time favorite animated adventure series and inspired a lot of what I like to do creatively but other cartoons inspired me as well. I’m a huge science fiction fan because of the cartoons I grew up on. Also, the silliness of a cartoony style was inspirational to me. I may have loved watching Superman but I’d rather draw him in a simple funny style like he should be in an episode of Casper the Friendly Ghost than make him look as he appeared in the comics.

Now let’s get in toon with one of the cartoons from my youth…Thundarr the Barbarian.

On October 4, 1980 Thundarr the Barbarian premiered. The series follows Thundarr an escaped slave and his friends Ookla the Mok and the magical Princess Ariel as the fight the forces of evil on a post-apocalyptic Earth set in the distant future. Thundarr’s weapon was the Sunsword, a magic sword that produced an energy blade when actives. When the sword wasn’t active is was just a hilt and rested on Thundarr’s armband. Ookla was a large strong monster like creature who was enslaved with Thundarr. Princess Ariel was the stepdaughter of the main antagonist, the evil wizard Sabien and helped Thundarr and Ookla escape. Together they travel the lands defending the weak and fighting to defeat Sabien.

After Stars Wars came out in 1977 it really changed the types of cartoons on television. Of course there was fantasy cartoons and science fiction cartoons but none really ever combined the both. Star Wars did that and elements of Star Wars appeared in many cartoons that followed. Thundarr was no different. Thundarr’s Sunsword was based of the lightsaber and Ookla was based off Chewbacca. He even spoke in howls that only Thundarr and Ariel seemed to understand much like those close to Chewbacca understood him.

The artwork for the series was beautiful. Legendary comic artists Alex Toth and Jack “The King” Kirby designed the characters. Alex Toth previously designed animated superheroes like Space Ghost, Birdman, Mightor and others for Hanna-Barbera in the 1960s. Alex designed the main cast but had to leave and Jack Kirby took over. Jack is best known for co-creating tons of Marvel Comics characters such as Captain America, The Fantastic Four, Iron Man, the Hulk and more. The backgrounds were also inspirational.

Alex Toth

Jack “The King” Kirby

It really had a comic feel and truly gave us the impression as if we were in that post-apocalyptic wold. Included in the background we saw recognizable builds and statues from our time. There were houses and vehicles that were ruined and covered by nature. These talented and skilled background artists really knew how to set the atmosphere of the environment that made us believe. In the type of work I do my goal is to create believability over realism. When I look back at the artwork from Thundarr, I see how this cartoon shaped my thought process.

For the time the stories were fun and entertaining to a child. They definitely don’t hold up to today’s storytelling. I would still show this cartoon to children that are into science fiction and fantasy. When I look back on the show the nostalgia factor takes over and I truly enjoy it.

Thundarr the Barbarian ran only for two years ending in September 1982. Other shows with a similar format followed like Blackstar, He-Man and the Masters of the Universe, and Galtar and the Golden Lance. There are too many to name but Thundarr is still one of the cartoons most remembered. Maybe it’s because it was one of the first cartoons like this or maybe it’s because the characters, story, and backgrounds were just so memorable. It could be one of those things or maybe it’s because the Sunsword is just so awesome and people still dream of owning one? Whatever the reason, Thundarr the Barbarian still lives in the heart and mines of fans and can be relived on DVD.

Join me next Saturday when I revisit another cartoon from my youth. I leave you with a clip of the series intro and remember…there is always time to GET IN TOON!

My Studio

My job has me working inside and outside my home. Outside my home I teach a lot. Whether I’m in a classroom, at a library, or even a comic book convention, I spend the majority of my time talking and teaching about cartooning and storytelling. When I’m working from home I spend my time in my studio. Yesterday, a buddy of mine asked to see my studio setup. I snapped these photos and posted them to my Facebook page. When I was a kid (and still as an adult) I like to see other artist’s studios. I enjoy seeing what they keep around that inspires them. So, I decided to share my photographs here to show you what inspires me when I’m working.

This is my traditional drawing area. The table is my old drawing table. I use a tabletop drawing board because I can remove it to use the table for other projects like painting, puppet building, or paper crafting. My art supplies are on the table as well as under them in a large ArtBin. As you can see I like to keep a lot of decorations around. The shelves above the table are my Hanna-Barbera shelves. I’m a huge Hanna-Barbera fan. The shelves include FUNKO POP figures, Smurf figures, and other figures I collected throughout my life.

Right next to my traditional area is my digital setup. On this six foot folding table is my 27 inch iMac with my 27 inches Wacom Cintiq HD and my scanner printer combo. I don’t really keep much on there besides all you can see on top of it. Above I have a bunch of pictures that inspires me.

On the other side of the room you will find my bookcases filled with books and figures.

Next to my bookcases you will find my filing cabinets. One has a bed for my cat which he never uses. He prefers my chair.

In the corner you see my closet which is filled with art supplies, sketchbooks and other stuff.

This door is my entrance back to reality. Here are a couple more shots of my studio.

Well, that’s where I love to GET IN TOON! I hope you enjoyed the tour and I hope it inspires you. I’m a lucky one to have a studio space. Some aren’t so lucky and some have bigger working areas. It really doesn’t matter what your studio looks like as long as you have a comfortable space to create your art.

Until next time, remember, there is always time to…GET IN TOON!

Fantasy Storytelling

On Sunday February 10, 2019 I turned 43 years old. It was the first day in a long time I took a day to do something I’ve been wanting to do for a while. Starting at 9:30am I started a Lord of the Rings movie marathon. I pulled out my blu-ray extended edition of the movies and spent twelve hours with my wife watching my favorite trilogy series. February 10, 2019 was honestly the most relaxing and enjoyable birthday I’ve had in a while and may have to make this a tradition.

I’ve always loved fantasy stories. I can’t remember when it exactly started but I’m going to date it to September 17, 1983 when I was seven years old. It was on that date when the Dungeons & Dragons cartoon premiered. To this day it may be my all time action/adventure cartoon series. In my opinion, a cartoon series it still holds up today story-wise. I actually pull out the DVD set and watch it from beginning to end at least twice a year.

So why do I love fantasy stories so much? Simple, it’s because the fantasy genre is so open. Truthfully, anything that can’t happen in reality is considered fantasy. That means characters like Superman are technically fantasy. However, when most people think of fantasy they think of warriors, dragons, wizards, and such which is what I like to think about.

The reason I like fantasy is because I’ve always liked mythological creatures and stories which are woven in to a lot of fantasy stories. I’ll never meet a dragon or a elf or even a gryphon. Not that I’d want to meet any up close and personal but I like the idea of their existence in these stories and that’s the important thing. When I read a book, watch a movie or show, or read a comic I’m transported into these worlds. The characters are real to me but I’m just playing make believe in my mind.

Having this “pretend” experience is important to our brain. Not only does the story allow us an escape from our lives or to experience emotions by feeling for the characters, but it expands our imagination. I’ve talked to parents and children for years about the importance of creative play. Today, with kids on so many digital devices they are losing creative play. They spend too much time playing someone else’s imagination. I know what you’re going to say, “Michael, you just said that you play make believe by experiencing other people’s story so aren’t you contradicting yourself?” Actually, I’m not. As a child creative play is important to development. Imagination is important and something that should be cultivated in youth. Einstein said, “Imagination is more important than knowledge” and I’ve always believed that. Nothing happens without someone imagining it and then figuring out the knowledge of how to bring it to life. That’s why it’s important to have that creative play when the imaginative mind is fertile.

When I was kid my creative play mostly came from my action figures. He-Man was able to meet the Transformers and Batman. I even took it further and made my own paper figures and built ships and caves and rooms for those paper figures to interact with. There were other things I could have done but didn’t do for one reason or another.

One thing I never did as kid but wanted to was play Dungeons & Dragons. The cartoon introduced me to the world. I even picked up some of the manuals which I read and drew out of. However, I never played because I didn’t know anyone who did and at that time you were made fun of if you did. As a kid I was a bit of an outcast in school and didn’t need another reason to be made fun of. When I look back, I do wish I looked for people to play with. I didn’t play my first game until a few years back and I loved it. Now, I’m get ready to DM (Dungeon Master) my first game soon.

What I love about D&D is that it allows me to pretend I’m someone I could never be and do things I could never do like be a dragon born ranger that fights goblins in a dark forest. This game isn’t just for kids but for adults as well. As I researched more and more about D&D, I found out there is so much to the game. You can play it basic with just some paper and pencils and play what they call theater of the mind where you imagine everything in your head. However, there are visuals such as figures and sets you can use to have a visual representation of your game. There is a whole lot of do it yourself crafting that can be done. What I love most about the game is the storytelling aspect. Even though the DM sets up the story it’s a community storytelling game. The players say what they want to do and use dice to see how what they want to do works out. Based on the roll of dice the DM will explain the outcome so the DM’s story may change a bit.

I think role playing is a great way to have creative play for everyone. It doesn’t have to be Dungeons & Dragons. If you like science fiction there are Star Wars role playing games. There are horror role playing games. Actually, there are role playing games for every genre. Just look around and see what’s out there. My preference is fantasy worlds like Dungeons & Dragons.

One my birthday I couldn’t not draw. Even though I was watching Lord of the Rings I drew a piece from the Hobbit when Bilbo meets Gollum. Here is the pen and ink drawing.

If you’re unfamiliar with the story of Bilbo Baggins, here is a little song to tell you.

Fantasy is a great way to escape reality and explore imagination. You don’t have to enjoy fantasy for the reasons I do. Heck, you don’t even have to like the fantasy genre. I’m just sharing my thoughts and enjoyment on the genre. It’s the type of storytelling I most enjoy and we’re our lives is based around storytelling. From books to tv to movies to advertisements and even just telling someone how your day was, we are surrounded my stories.

If you’d like to learn more about storytelling you can purchase my app “A Simple Guide to Storytelling” app on both iOS and android for a reasonable price.

Remember, there is always time to GET IN TOON!


Welcome to GET IN TOON!

If you have visited this site before you will notice it has been through some changes. If you haven’t been here before let me explain what GET IN TOON! is. GET IN TOON! is my educational blog devoted to the art of cartooning. Whether you enjoy comics, animation, gaming, and more, this blog offers free tips and tutorials on how to go about creating them.

My name is Michael Grassia and I am a cartoonist. Basically, that means I draw humorous images. I have always had a passion for cartooning since I could hold a pencil and at 8 years old I began to take my craft seriously. The rest of my life I devoted to learning everything I can about cartooning. Animation has always been my main love in cartooning. I grew up watching a lot cartoons. If it ran from the late 1970’s to the early 2000’s you can be sure I watch it. I do watch present day cartoons but nothing beats the classics for me.

In September 2017 I released my first educational app “A Simple Guide to Storytelling” which teaches storytelling though the comic strip method. It is available on both the iOS App Store and Google Play for a reasonable price.

I plan to post at least once a week but more if I can. In addition to my posts I will have some free downloadable materials to help your cartooning journey. So stay tooned for my next post. I leave you with the cartoon drawing I did of the FLASH and remember, there is always time to GET IN TOON!

the flash