Speedy Cartooning

It’s time to GET IN TOON! with speedy cartooning. The artwork below I do for fun. They are quick warmup drawings I do to get my day started or drawings I make to clear my head.

All the illustrations are completed with a sharpie or a prismacolor chisel tip multiliner. I draw quickly. If I spend five minutes on one then I’ve spent too much time on it. I draw in marker to be confident in my lines and draw fast trying to quickly capture the motion and emotion of the character/scene. The artwork below are all gone but I do sell these at shows for $5 a piece. If you ever see me at a convention, it’s the perfect time to get one and if you don’t see one you like, I’ll draw a speedy cartoon for you on the spot!

Hope you enjoyed these speedy cartoons and remember…there is always time to GET IN TOON!


Friends are there…

Popping from the funny pages, Garfield and Friends hit the Saturday morning airwaves on September 17, 1988. This successful show lasted eight years. The format of the show was in three parts. First was a Garfield short, then a U.S. Acres short, and ending with a final Garfield short.

Garfield has been done in animation so much that I’m going to focus on U.S. Acres. Garfield’s creator Jim Davis launched U.S. Acres as a newspaper comic strip on March 3, 1986 and ran until 1989. Garfield and Friends was my first introduction to the U.S. Acres and my only way to have them in my life since my local newspaper didn’t run it.

The show was set on a farm and featured Orson Pig, the leader. Roy Rooster, a greedy loud mouth that bothers the group. Wade Duck, is cowardly with a such a fear of water that he wears an inner tube around his waist at all times. Booker, an extremely confident chick that never catches worms no matter how much he chases them. Sheldon, is Booker’s unpatched brother. He is the intelligent and philosophical one of the group. Bo Sheep, was a bit different from his comic version. In the comic he was wasn’t very bright but perky. In the cartoon he was depicted as a surfer dude. Still a bit dim but always calm, cool, and collected. Lanolin Sheep, is the opposite of her brother Bo,l.

Much like most Saturday morning cartoons of the 1980’s the plots were simple. A short adventure with a lesson in the end. The humor was fun and what was expected from a Jim Davis cartoon.

The classic Jim Davis style is seen throughout the cartoon. Characters were simple and clean in design. The backgrounds were simple and normally brightly colored staying true to Jim Davis’ style. Check out the pictures below.

Gregg Berger voided Orson as well as Odie in the Garfield segment. Funny story. Gregg also voices Grimlock in the Transformers cartoons and I was supposed to be on a panel with him in November 2018 discussing the Transformers. Unfortunately, I got sick and had to cancel my appearance. I hope I get another chance to meet him as I’m a fan of his Garfield and Transformers characters. Roy was voided by Thom Huge who als voice Jon Arbuckle in the Garfield segments. Wade was voiced by Howard Morris who was the original Gopher in the first Winne the Pooh movie. In the Garfield segments Julie Payne Dr. Liz Wilson an voiced Lanolin in the U.S. Acres shorts. The multitalented Frank Welker voiced the rest. Frank Welker is best know as Fred Jones on Scooby Doo as well as Scooby since Don Messick passed. If you look up Frank on IMDB you’ll find that he has 834 acting rolls and still counting. I did some research and I couldn’t find anyone with more acting credits. I’m not sure if there is a cartoon Frank Welker isn’t part of.

U.S. Acres was a fun 6-8 minute short that I enjoyed each week. I look back at the enjoyment this cartoon brought me. Although I watch all types of cartoons, I’ve always leaned towards cartoons with animal characters. Maybe it’s because I grew up on Mickey Mouse, the Looney Tunes, Tom & Jerry, Woody Woodpecker, and Yogi Bear. Maybe it’s the clean and simple style or because I just enjoying drawing animals. Whatever the reason, U.S. Acres is a fun cartoon. Garfield and Friends is currently available on DVD and on the Boomerang app. You can also find some shorts on YouTube.

I now leave you with a short I found on YouTube. and I’ll be back next week. Until then, remember…there is always time to GET IN TOON!

Smurfy-day Mornings of the 1980s

La La-La La La La-La La La La La

That was a tune I heard every Saturday morning throughout the 1980s. It was the tune sung by those forest dwelling creatures, the Smurfs.

I was a big Smurf fan when I was a kid and I still am. You can see by these photos. The first is the shelf above my drawing table. The second is of my comic collection. I love them so much they aren’t put away in boxes and proudly displayed on my bookshelf. They are currently being published by Papercutz and I highly recommend visiting your local comic shop and picking them up. The last picture is of my closet door where a Papa Smurf poster hang.

Although the Smurfs hit the Saturday morning airwaves in September 1981, they got their start 23 years earlier. The Smurfs first appeared as a Franco-Belgian comic in 1958 created by Pierre Culliford popularly known by his pen name, Peyo.

At the time Peyo was working on a comic called Johan and Peewit as they are called in America. Peyo was telling their adventures since 1947. Johan and Peewit was a fantasy sword and sorcery story set in the Middle Ages. In one adventure, a magic flute was causing havoc within the kingdom. Johan and Peewit got help from the Smurfs to deal with the flute. The Smurfs were so popular that by 1959 they appeared in their first solo adventure.

Before airing on Saturday mornings and being produced by Hanna-Barbera, the Smurfs made their first animated appearance in the European movie “The Smurfs and the Magic Flute”. It was based on their introduction comic and directed by their creator. I’m sure I’ll discuss this movie in the future so I won’t say much about it now. All I’ll say is that it was made in 1976 and if you are a Smurf fan it is worth the watch.

Now that you know a slight history, it’s time to GET IN TOON! with classic animated series with a nine year run, The Smurfs.

Premiering September 12, 1981 the series focused on the Smurfs. They were blue skinned and measured three apples high (about 3 inches). All the smurfs, but a few, wore white pants and a white hat. Papa Smurf wore red and had a white beard. He was the only smurf with facial hair besides Grandpa who appeared years later in the series. It’s almost impossible to tell Smurfs apart as they all look alike. The way to tell them apart was by their names which were based on their traits. For example there was Jokey who liked to give others exploding presents and laugh. Lazy preferred to sleep. Handy built things and Hefty was the strong one. Brainy was a bookworm and Vanity loved looking at himself in the mirror. They all lived in the Smurf Village in mushroom houses.

Very few humans knew of their existence. Johan and Peewit knew them of course. As did Homnibus, Mother Nature and the evil wizard Gargamel. The show primarily featured Gargamel and his cat Azreal trying to capture the smurfs. Gargamel wants the greatest wizard nor did he have any good luck. His home was a hovel. Made of stone with a straw roof, Gargamel was always up to no good but the Smurfs always foiled his plans. Sometimes when I go back and watch the show I actually feel bad for Gargamel. I don’t root for him to win and catch the Smurfs to turn them into gold (come on he is the bad guy) but I feel bad because of how he was written. It obvious Gargamel had a rough life. He’s bullied by every other wizard and ogre the like. His financial situation was bleak and when he’d lose, Gargamel would whine. Even though he was the villain all Gargamel was trying to do was improve his life. To me that’s great writing. Here in a simple kids cartoon we’re given a character who seems simple on the surface but is a very layered character. That’s some good storytelling. There was even a couple of times Gargamel showed he had a heart like in the 1982 TV movie, The Smurfs Christmas Special. It’s because he shows his heart I feel for Gargamel. It shows there is good in him, even if it’s buried incredibly deep within him. Without that Gargamel is a stereotypical bad guy that just does bad things for the sake of being bad. Honestly, Gargamel having a heart is rare. Beside the Christmas special, there is only other one time I remember. I don’t remember when it exactly was or what the episode was about. It was sometime between season 6 and 8 when Gargamel had a young apprentice named Scruple. All I remember was a kindness Gargamel showed to Scruple. It was only for a moment but it was there. At least, that’s how I remember it.

I love animation so much and there is something in almost every cartoon that will make me say, this is my favorite because…, but Hanna-Barbera is my all time favorite company. The art of the Smurfs is a thing of beauty. Taking Peyo’s style and adding the Hanna-Barbera flair made a lasting influence on my art. My style is very much Hanna-Barbera meets Peyo as you can see from artwork below.

Now let’s take a look at some of the art from the Smurfs. You can see how the art influences what I do.

The Smurfs animated series was targeted to children and the stories were very easy to follow. Episodes worked in two different ways. One week we’d see a full half hour episode while other weeks there would be two shorter stories within the thirty minute time slot. The stories were adapted from Peyo’s original comics. One of my favorite episodes was called “The Smurf’s Apprentice” where a Clumsy Smurf wanted to be Papa’ apprentice and was upset when Papa told him Brainy is more than enough of an apprentice. The next day Clumsy finds himself at Gargamel’s and steals a page from One of the evil wizard’s spellbook turning himself into a scaly lizard creature. With the help of Papa and his friends they return to Gargamel’s hovel to find the antidote.

The original Smurfs animated series lasted nine years and has made a lasting impression on children of the 80’s. In recent years the Smufs made a come back in CG animated films which I’m sure I’ll discuss in a future blog. Between comics, television, and movies the Smurfs have been around for 70+ years which demonstrates staying power. You can find some of the Smurfs series on DVD. I own a few of the DVDs, however I have been unable to find the completed series on DVD. I’m not sure but I don’t think the completed series is available in the United States. I highly recommend this series to kids of all ages.

Lords of Light!

Let us travel back in time to the days of my youth when cartoons ruled Saturday mornings. I remember getting up early, making myself a bowl of Cap’n Crunch with crushed up Oreos (don’t knock it until you try it), grabbing my drawing supplies and planting myself in front of the television for hours. It was in 1976 when I was born but my earliest cartoon memories started in the 80’s. I can honestly say that my first cartoon memory is of Ricochet Rabbit. It was obviously a rerun and to this day still one of my favorite characters.

The cartoons of 1980s was the heyday of cartoons, at least that’s the opinion of most people my age. Sure, the cartoons were meant to sell toys but what options we had! Transformers, G.I. Joe, Super Friends, Thundercats, He-Man, Saturday Supercade, The Smurfs, and so much more. We had cartoons based on our favorite movies like The Real Ghostbusters or our favorite video games like Captain N the Game Master or Super Mario Bros. It was amazing and I absorbed these cartoons nonstop as I laid on the floor drawing. I taught myself how to draw by recording the cartoons, pausing a frame, and drawing what I saw. My collection of recorded cartoons on VHS tapes was only rivaled by my future comic book collection.

In a previous blog most I mentioned how I loved the Dungeons & Dragons cartoon. It may be my all time favorite animated adventure series and inspired a lot of what I like to do creatively but other cartoons inspired me as well. I’m a huge science fiction fan because of the cartoons I grew up on. Also, the silliness of a cartoony style was inspirational to me. I may have loved watching Superman but I’d rather draw him in a simple funny style like he should be in an episode of Casper the Friendly Ghost than make him look as he appeared in the comics.

Now let’s get in toon with one of the cartoons from my youth…Thundarr the Barbarian.

On October 4, 1980 Thundarr the Barbarian premiered. The series follows Thundarr an escaped slave and his friends Ookla the Mok and the magical Princess Ariel as the fight the forces of evil on a post-apocalyptic Earth set in the distant future. Thundarr’s weapon was the Sunsword, a magic sword that produced an energy blade when actives. When the sword wasn’t active is was just a hilt and rested on Thundarr’s armband. Ookla was a large strong monster like creature who was enslaved with Thundarr. Princess Ariel was the stepdaughter of the main antagonist, the evil wizard Sabien and helped Thundarr and Ookla escape. Together they travel the lands defending the weak and fighting to defeat Sabien.

After Stars Wars came out in 1977 it really changed the types of cartoons on television. Of course there was fantasy cartoons and science fiction cartoons but none really ever combined the both. Star Wars did that and elements of Star Wars appeared in many cartoons that followed. Thundarr was no different. Thundarr’s Sunsword was based of the lightsaber and Ookla was based off Chewbacca. He even spoke in howls that only Thundarr and Ariel seemed to understand much like those close to Chewbacca understood him.

The artwork for the series was beautiful. Legendary comic artists Alex Toth and Jack “The King” Kirby designed the characters. Alex Toth previously designed animated superheroes like Space Ghost, Birdman, Mightor and others for Hanna-Barbera in the 1960s. Alex designed the main cast but had to leave and Jack Kirby took over. Jack is best known for co-creating tons of Marvel Comics characters such as Captain America, The Fantastic Four, Iron Man, the Hulk and more. The backgrounds were also inspirational.

Alex Toth

Jack “The King” Kirby

It really had a comic feel and truly gave us the impression as if we were in that post-apocalyptic wold. Included in the background we saw recognizable builds and statues from our time. There were houses and vehicles that were ruined and covered by nature. These talented and skilled background artists really knew how to set the atmosphere of the environment that made us believe. In the type of work I do my goal is to create believability over realism. When I look back at the artwork from Thundarr, I see how this cartoon shaped my thought process.

For the time the stories were fun and entertaining to a child. They definitely don’t hold up to today’s storytelling. I would still show this cartoon to children that are into science fiction and fantasy. When I look back on the show the nostalgia factor takes over and I truly enjoy it.

Thundarr the Barbarian ran only for two years ending in September 1982. Other shows with a similar format followed like Blackstar, He-Man and the Masters of the Universe, and Galtar and the Golden Lance. There are too many to name but Thundarr is still one of the cartoons most remembered. Maybe it’s because it was one of the first cartoons like this or maybe it’s because the characters, story, and backgrounds were just so memorable. It could be one of those things or maybe it’s because the Sunsword is just so awesome and people still dream of owning one? Whatever the reason, Thundarr the Barbarian still lives in the heart and mines of fans and can be relived on DVD.

Join me next Saturday when I revisit another cartoon from my youth. I leave you with a clip of the series intro and remember…there is always time to GET IN TOON!


Welcome to GET IN TOON!

If you have visited this site before you will notice it has been through some changes. If you haven’t been here before let me explain what GET IN TOON! is. GET IN TOON! is my educational blog devoted to the art of cartooning. Whether you enjoy comics, animation, gaming, and more, this blog offers free tips and tutorials on how to go about creating them.

My name is Michael Grassia and I am a cartoonist. Basically, that means I draw humorous images. I have always had a passion for cartooning since I could hold a pencil and at 8 years old I began to take my craft seriously. The rest of my life I devoted to learning everything I can about cartooning. Animation has always been my main love in cartooning. I grew up watching a lot cartoons. If it ran from the late 1970’s to the early 2000’s you can be sure I watch it. I do watch present day cartoons but nothing beats the classics for me.

In September 2017 I released my first educational app “A Simple Guide to Storytelling” which teaches storytelling though the comic strip method. It is available on both the iOS App Store and Google Play for a reasonable price.

I plan to post at least once a week but more if I can. In addition to my posts I will have some free downloadable materials to help your cartooning journey. So stay tooned for my next post. I leave you with the cartoon drawing I did of the FLASH and remember, there is always time to GET IN TOON!

the flash